Jul 31, 2025
KICE Bridges Cultures With "Al Ain" And His Signature Arabic House Sound
Chicago DJ and producer KICE celebrates “Al Ain,” his take on a 1970s Arabic classic in collaboration with Toronto's Arabic fusion band, Kazdoura. His mix showcases his Arabic house style and versatile productions loaded with originals, collaborations and remixes of tracks from artists like Bobby Caldwell, Fadel Chaker, Khaled and many more!
Hey KICE, thanks for being with us today to celebrate your new track “Al Ain.” For those just discovering you, how would you describe your sound and musical journey so far?
Thanks for having me! For those just tuning in, I’d describe my sound as a dynamic blend of energetic, groovy house music with a soulful infusion of Arabic melodies and rhythms. My journey has been a bit of a dual narrative. In recent years, I’ve built a foundation in the electronic music scene by releasing tracks that hit some charts and playing globally. I’ve been able to hone my skills as a DJ and producer within the broader house and dance genres; that was Something Real—my latest piano house album. But simultaneously, there was this evolving exploration of my Jordanian roots and the rich musical heritage of the Arab world. “Al Ain” was born and really marks the point where these two paths fully converge, stepping into what I truly feel is my authentic and signature sound. It’s about bringing the warmth, soul, and unique textures of the Levant to any dancefloor.
Thanks for having me! For those just tuning in, I’d describe my sound as a dynamic blend of energetic, groovy house music with a soulful infusion of Arabic melodies and rhythms. My journey has been a bit of a dual narrative. In recent years, I’ve built a foundation in the electronic music scene by releasing tracks that hit some charts and playing globally. I’ve been able to hone my skills as a DJ and producer within the broader house and dance genres; that was Something Real—my latest piano house album. But simultaneously, there was this evolving exploration of my Jordanian roots and the rich musical heritage of the Arab world. “Al Ain” was born and really marks the point where these two paths fully converge, stepping into what I truly feel is my authentic and signature sound. It’s about bringing the warmth, soul, and unique textures of the Levant to any dancefloor.
Let’s talk about your new track “Al Ain.” How did the idea come about?
“Al Ain” is a track that's been brewing in my subconscious for a long time. The original, performed by the legendary Samira Tawfiq in the ’70s, is an iconic Arabic classic—almost an anthem. Growing up, I heard it constantly, and the melody just stuck with me. The idea for this reimagining really solidified when I realized the power of taking something so deeply embedded in a culture and translating its essence through a modern house lens. It wasn't just about remixing it; it was about reanimating it—giving it new life for a global dance audience while retaining its original soul. It’s a track that bridges generations and cultures—a true sonic homecoming for me.
“Al Ain” is a track that's been brewing in my subconscious for a long time. The original, performed by the legendary Samira Tawfiq in the ’70s, is an iconic Arabic classic—almost an anthem. Growing up, I heard it constantly, and the melody just stuck with me. The idea for this reimagining really solidified when I realized the power of taking something so deeply embedded in a culture and translating its essence through a modern house lens. It wasn't just about remixing it; it was about reanimating it—giving it new life for a global dance audience while retaining its original soul. It’s a track that bridges generations and cultures—a true sonic homecoming for me.
You teamed up with Kazdoura for this release. How did the collaboration start, and what was the process like working with them?
Collaborating with Kazdoura was absolutely vital to “Al Ain.” I accidentally stumbled upon their live cover of it and really loved their approach to Arabic fusion—blending traditional sounds with jazz, funk, and electronic elements—which really resonated with me! I reached out, shared my vision for “Al Ain,” and they immediately understood the respect and innovation required. The process was incredibly organic. I started by really immersing myself in the original track, dissecting its emotional core and melodic nuances. Kazdoura's ability to deliver authentic Arabic vocals and live instrumentation was crucial. My role was to then meticulously craft the contemporary house framework, ensuring the groove was strong while giving space for their incredible musicianship to shine. It was a true collaboration, refining how the ancient melodies could collide seamlessly with house music. Their talent brought the track to life in a way that wouldn't have been possible otherwise.
Collaborating with Kazdoura was absolutely vital to “Al Ain.” I accidentally stumbled upon their live cover of it and really loved their approach to Arabic fusion—blending traditional sounds with jazz, funk, and electronic elements—which really resonated with me! I reached out, shared my vision for “Al Ain,” and they immediately understood the respect and innovation required. The process was incredibly organic. I started by really immersing myself in the original track, dissecting its emotional core and melodic nuances. Kazdoura's ability to deliver authentic Arabic vocals and live instrumentation was crucial. My role was to then meticulously craft the contemporary house framework, ensuring the groove was strong while giving space for their incredible musicianship to shine. It was a true collaboration, refining how the ancient melodies could collide seamlessly with house music. Their talent brought the track to life in a way that wouldn't have been possible otherwise.
You’ve mentioned that “Al Ain” is more than just music—it’s a multicultural statement. What message are you hoping to share through this release?
The message is one of unity, heritage, and the universal power of music. As a third-culture kid, I've always felt a connection to multiple worlds. “Al Ain” is my way of articulating that feeling—showing that traditional Arabic melodies, often stereotyped or overlooked in global electronic music, can be incredibly vibrant and relevant on the modern dancefloor. It's a statement that our heritage is a source of strength and inspiration, not something to be put aside. I hope it encourages listeners from all backgrounds to explore cultural fusions, to celebrate diversity, and to feel a sense of connection through a shared groove—regardless of where they come from.
The message is one of unity, heritage, and the universal power of music. As a third-culture kid, I've always felt a connection to multiple worlds. “Al Ain” is my way of articulating that feeling—showing that traditional Arabic melodies, often stereotyped or overlooked in global electronic music, can be incredibly vibrant and relevant on the modern dancefloor. It's a statement that our heritage is a source of strength and inspiration, not something to be put aside. I hope it encourages listeners from all backgrounds to explore cultural fusions, to celebrate diversity, and to feel a sense of connection through a shared groove—regardless of where they come from.
What are some key values or ideas you carry into your productions when blending Middle Eastern sounds with electronic music?
To me, respect and authenticity are paramount when blending Middle Eastern sounds into my music. This isn't about mere sampling or tokenizing; it's about deeply immersing myself in the maqams, understanding the intricate rhythmic nuances, and appreciating the profound emotional weight these sounds carry. My goal is always soulful integration—ensuring these elements are intrinsically woven into the track and serve its emotional narrative, rather than just being layered on top. While honoring tradition, I strive for modern relevance, creating production that feels fresh and contemporary for a global electronic audience, thereby reanimating these sounds rather than just preserving them. Given the melodic richness of Arabic music, I focus on highlighting these beautiful melodies and crafting grooves that complement and elevate them. Furthermore, working with authentic instrumentalists and vocalists is crucial to maintaining the fidelity and spirit of the original sounds. Ultimately, my aim is to create something timeless and universally appealing, yet distinctly rooted in my heritage.
To me, respect and authenticity are paramount when blending Middle Eastern sounds into my music. This isn't about mere sampling or tokenizing; it's about deeply immersing myself in the maqams, understanding the intricate rhythmic nuances, and appreciating the profound emotional weight these sounds carry. My goal is always soulful integration—ensuring these elements are intrinsically woven into the track and serve its emotional narrative, rather than just being layered on top. While honoring tradition, I strive for modern relevance, creating production that feels fresh and contemporary for a global electronic audience, thereby reanimating these sounds rather than just preserving them. Given the melodic richness of Arabic music, I focus on highlighting these beautiful melodies and crafting grooves that complement and elevate them. Furthermore, working with authentic instrumentalists and vocalists is crucial to maintaining the fidelity and spirit of the original sounds. Ultimately, my aim is to create something timeless and universally appealing, yet distinctly rooted in my heritage.
You recently launched your new event series, Sirocco Sessions—congrats! Tell us more about it. What inspired you to start this series?
Thank you! Sirocco Sessions is a passion project born out of a real need. As I delved deeper into producing Arabic house, I realized there wasn't a dedicated, consistent platform for this specific sound—especially not one that truly embodies the cultural richness it represents. “Sirocco” refers to the warm winds that blow across the Mediterranean, symbolizing the connection and movement of cultures. So, I was inspired to create these events as a physical extension of the music I'm making—to build “Mediterranean house sanctuaries” where people can experience this blend live. It's more than just a party; it’s a sonic journey that fuses East and West, bringing together cutting-edge electronic sounds with live instrumentalists (like my Treble Squad members, Violin Girl and MGabriel). It’s about creating a vibrant, inclusive space for discovery and connection from a side of the world that usually does not unite—celebrating our universal language of music and culture.
Thank you! Sirocco Sessions is a passion project born out of a real need. As I delved deeper into producing Arabic house, I realized there wasn't a dedicated, consistent platform for this specific sound—especially not one that truly embodies the cultural richness it represents. “Sirocco” refers to the warm winds that blow across the Mediterranean, symbolizing the connection and movement of cultures. So, I was inspired to create these events as a physical extension of the music I'm making—to build “Mediterranean house sanctuaries” where people can experience this blend live. It's more than just a party; it’s a sonic journey that fuses East and West, bringing together cutting-edge electronic sounds with live instrumentalists (like my Treble Squad members, Violin Girl and MGabriel). It’s about creating a vibrant, inclusive space for discovery and connection from a side of the world that usually does not unite—celebrating our universal language of music and culture.
What do you want people to feel or experience when they attend a Sirocco Sessions event?
I want people to feel connected and, ultimately, liberated on the dance floor. When you step into a Sirocco Sessions event, I want you to feel immersed in an atmosphere that's both exotic and familiar—warm, inviting, and vibrant. I want the community to feel the distinct energy of the West and the Mediterranean grooves, perhaps discovering new rhythms and melodies that move them in unexpected ways. It’s about more than just listening to music; it’s an experience. I want them to connect with the music, with the live instrumentation, and with each other. I want them to leave feeling like they've been on a unique sonic voyage—energized and inspired by the unity and cultural beauty that dance music can foster.
I want people to feel connected and, ultimately, liberated on the dance floor. When you step into a Sirocco Sessions event, I want you to feel immersed in an atmosphere that's both exotic and familiar—warm, inviting, and vibrant. I want the community to feel the distinct energy of the West and the Mediterranean grooves, perhaps discovering new rhythms and melodies that move them in unexpected ways. It’s about more than just listening to music; it’s an experience. I want them to connect with the music, with the live instrumentation, and with each other. I want them to leave feeling like they've been on a unique sonic voyage—energized and inspired by the unity and cultural beauty that dance music can foster.
Finally, what’s next for KICE, both in the studio and on the road?
A lot! In the studio, “Al Ain” is just the first taste of this deeper dive into Arabic house. You can expect more original productions that continue to explore this rich fusion. I'm actively working on a full EP, delving into different regional sounds and collaborating with more incredible artists from the Middle East. You'll also see more from Treble Squad—my trio with Violin Girl and MGabriel—as we're developing our own unique live show and producing dedicated material that showcases that organic, instrumental energy. On the road, the goal is to expand the Sirocco Sessions globally. We’re planning events in key cities across Europe and the Middle East, bringing them to a wider audience. And of course, I'll be touring as KICE, pushing this sound to new festivals and clubs worldwide. It's about building a movement, not just a moment. Stay tuned!
A lot! In the studio, “Al Ain” is just the first taste of this deeper dive into Arabic house. You can expect more original productions that continue to explore this rich fusion. I'm actively working on a full EP, delving into different regional sounds and collaborating with more incredible artists from the Middle East. You'll also see more from Treble Squad—my trio with Violin Girl and MGabriel—as we're developing our own unique live show and producing dedicated material that showcases that organic, instrumental energy. On the road, the goal is to expand the Sirocco Sessions globally. We’re planning events in key cities across Europe and the Middle East, bringing them to a wider audience. And of course, I'll be touring as KICE, pushing this sound to new festivals and clubs worldwide. It's about building a movement, not just a moment. Stay tuned!
You can stream or download KICE & Kazdoura - "Al Ain" on your platform of choice today! https://treblerec.ampsuite.com/releases/links?id=19
short link 1001.tl/lvmhru
